There is a gaping expanse that separates our desire for life to have meaning, and the chaotic unfairness we actually experience. French philosopher Albert Camus called this feeling ‘The Absurd’; bad things happen for no reason, we work repetitive and probably meaningless jobs, and eventually die, and we spend a lot of that life suspecting that there is supposed to be some master plan or purpose. Camus encapsulates in his concept of the absurd the awareness that these expectations are simply unfounded, which he outlined eloquently in his essay ‘The Myth of Sisyphus’.
However, he is not the only person to promote such a notion. Another man expresses startlingly similar sentiments, he is a fictional person, and he is to be found in the annals of the DC comic book universe. Recently played to perfection by the late Heath Ledger, The Joker espouses a philosophy that bears more than a passing resemblance to that of Camus’s ‘The Absurd’. “It’s all a joke” the Joker reminds us in almost every film and comic appearance, maintaining that life is inherently ludicrous. It seems Camus and The Joker are in agreement about our sorry state of existence, yet they diverge wildly when it comes to how to react in light of this.
Camus wrote “There is only one really serious philosophical question, and that is suicide”, if life is pointless, why should you go on living it? Because, he writes, that’s just avoiding the problem, it’s taking the easy way out. Nor should you try to dismiss or rationalize the apparent absence of meaning in your life. Many people do this and make grand claims about the meaning of life; religious and spiritual teachers all claim to know some higher truth that will cause all the little pieces fall into place, but Camus says these people are just wasting their time, it’s the blind leading the blind. Camus calls this act ‘philosophical suicide’; it’s just another easy way out. The Joker agrees with sentiment this, as he quips: “You see, their morals, their code, it’s a bad joke, dropped at the first sign of trouble. They’re only as good as the world allows them to be.”
So what does Camus, and his fictional grim counterpart, prescribe for those trying to engage with a truly Absurdist life? What should we do if we are not to end it or deny it? This is where the two make a wild departure from eachother.
Camus says we must be like the Greek hero Sisyphus who was condemned by the Gods to push a boulder up a mountain every day, only to watch it roll back down each night. The minutiae of our lives are just like Sisyphus’ futile task, repetitive and completely fruitless, but Camus says we have to imagine that Sisyphus is happy, walking down the mountain with a wry smile on his face; Sisyphus eventually recognises that all anyone is doing is rolling boulders up hills and watching them roll back down. The joke is on the Gods, they thought they were punishing him, but when they told he’d be doing a meaningless task forever, they freed him from the illusion that life was supposed to be meaningful, he became awake to absurd, and this allowed him to be truly content. He’s no longer struggling to find that ever-elusive fulfilment and meaning, he knows its basically bullshit, so now he can simply be.
The Joker, like Sisyphus, recognises the absurd, but he goes a step too far. He decides it’s not enough to go on pushing your boulder up your hill, smiling to yourself wryly that this all anyone can do. He makes it his life work to make everyone else see it too. “I try to show the schemers how pathetic their attempts to control things really are.” If the world is inherently chaotic and random, then not only does that render all attempts to impose a meaning on it pointless (as Camus says), in fact they are positively ridiculous. A bad joke, as the Joker puts it.
The blockbuster movie ‘Dark Knight’ depicts the joker enacting a veritable crusade against purpose; he blows up hospitals, assassinates a mayor, and even robs banks only to burn the money. He is essentially a terrorist without an agenda. “I’ll show you.” He says “When the chips are down, these… these civilized people, they’ll eat each other. See, I’m not a monster. I’m just ahead of the curve.”
The Joker is, obviously, fictional, but I don’t think that should give us license to reject his associated philosophy out of hand, why should we prize Camus’s advice over the Jokers? I can think of a few misguided individuals who chose the latter. In 2012 James Holmes walked in to a Colorado movie theatre armed with several automatic weapons, he opened fire indiscriminately on the defenceless audience. 12 people died, and Holmes was arrested. His apartment had been laced with explosives and he had been planning the attack for a considerable amount of time. His obsession with the Joker character, specifically the Heath Ledger incarnation, was obvious. Here is a man who is clearly mentally deranged; I don’t mean to imply that he made a rational choice to engage in a philosophical act when he murdered all those people, but it is also clear that from his diaries and subsequent interviews that he definitely recognized the inherent absurdity of life and was also clearly a huge fan of Christopher Nolan’s Batman franchise. Holmes decided against embracing meaningless as Camus would want, but instead he chose to actively inflict it on others, becoming what the joker calls ‘an agent of chaos’. A living reminder of Joker’s warning: “You see, madness, as you know, is like gravity. All it takes is a little push!”
For no real reason, we are here. We must realise this if we are to be intellectually honest, and not try to shy away from it by convincing ourselves otherwise, or stepping down from the challenge and taking our own lives. Ultimately the Joker’s philosophy is self defeating, ironically so, his scheme to show everyone how pointless and purposeless everything is, is in fact just another pointless scheme on the pile. His quest has become for him a sort of meta-purpose, he essentially rejects the absurd and superimposes a purpose onto a chaotic existence, and this puts him squarely within the ‘philosophical suicide’ category that Camus outlines in the essay, he is simply not facing up to the true reality of existence by embracing the absurd. Unlike Sisyphus, the Joker does not recognise the pointlessness of his struggle, therefore he is not truly living.